Russia’s Political Narratives in a Tale of Vanya and Mykola Animation

Authors

  • Putu Titah Kawitri Resen Universitas Udayana, Indonesia
  • Ni Wayan Rainy Priadarsini Universitas Udayana, Indonesia
  • Ade Devia Pradipta Universitas Udayana, Indonesia
  • Sukma Sushanti Universitas Udayana, Indonesia
  • Komang Wahyu Rustiani Universitas Udayana, Indonesia

DOI:

https://doi.org/10.59888/ygwfqp96

Keywords:

Animation; , political narratives; , Rusia; , Ukraina

Abstract

This article analyzes an animation titled A Tale of Vanya and Mykola, which was released during Russia’s military invasion of Ukraine in 2022. Specifically, this article examines the political narratives constructed by Russia to legitimize the invasion. Based on Roland Barthes’ Semiotic Theory and Steven Lukes’ concept of power, this study identifies symbols, signs, and visuals that function as ideological control conveyed by Russia to a global audience. The study found that Russia articulates three main political narratives, namely: the historical closeness between Russia and Ukraine, the ideological division caused by external intervention, and global injustice. Through these three political narratives, Russia seeks to resist Western discourse hegemony while justifying the invasion of Ukraine as a defensive and moral act. This study concludes that A Tale of Vanya and Mykola is rich in ideological and political meanings and serves as an instrument of ideological hegemony to control public perception.

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Published

2025-11-21

Issue

Vol. 4 No. 2 (2025): Asian Journal of Social and Humanities

Section

Articles

License

Copyright (c) 2025 Putu Titah Kawitri Resen

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